Pussy Riot yet another example of how art is pitted against politics

For Newsmill.se: The enormous attention that the indictment against Pussy Riot has created in both Russia and internationally is an example of an increasingly widespread global trend, where politics and art are pitted against each other and the reactions of society become a part of both art and politics.

Yesterday, a two year's prison sentence was passed in Moscow against three members of the Russian "punk band" Pussy Riot. The trio was found guilty of "hooliganism motivated by religious hatred." Reactions and condemnations against the sentence are manifold in both Russia and internationally, as it is evident that the penalty is not proportional to the alleged crime.

On 21 February this year - merely weeks before the Russian presidential elections - Pussy Riot made a mimic performance in front of the altar of Christ our Saviour Cathedral in Moscow wearing balaklavas and brightly coloured dresses. Within minutes they were seized on by security guards and thrown out of the church. Shortly thereafter, a video clip of the performance was published on YouTube, where music with a provocative song-text had been added. This so called "Punk prayer" was in the form of an invocation to the Holy Mother to drive out Putin and the Patriarch of the Russian Orthodox Church, Kirill I, was portrayed as putting faith in Putin before that in God.

Undoubtedly, it was this video clip rather than the performance itself that made the Russian state and church react, as it spread like wildfire on the Internet. In March, three of Pussy Riot's members were arrested, while a fourth is still hiding from authorities. The lawsuit that has dragged out for almost half a year has now been accordingly finalised, where the treatment of the prosecuted has cast new light on Russia's legal decay. A mere 2.7 % of people prosecuted by Russian courts in 2011 were acquitted. 

The entire affaire has undeniably gained dynamics of its own, so one may assume that yesterday's verdict departs from the need of power to set an example. The increased confindence in the Russian legal system in recent years has thereby been turned into a setback in the politically directed jurisprudence, which since the process against former oligarch Khodorkovsky goes by the name of Basmanny justice. The trial against Pussy Riot has however taken the debate a step further, and several Russian liberal writers have compared the case with the show trials of the soviet era. The playback performance Pussy Riot made in Christ our Saviour Cathedral has thus also given rise to a historical playback.

It is also Russia's lack of due process that has caused reactions both in Russia and internationally. Already in April, Amnesty International characterized the members of Pussy Riot as prisoners of conscience. International organizations and artists are now joined by western public opinion, where the verdict against Pussy Riot become a symbol for all that is wrong with Russia. In this context, both strong and equally diverse  Russian reactions shuold be brought to the fore. A number of opinion polls during the process have shown both strong support for dismissing the case and for a guilty verdict. Russian public opinion is divided and varied in relation to a complex issue that has come to address religion, ethics, and politics more than actual law. 

That many believers in Russia have rightly felt offended by Pussy Riot's performance is beyond doubt, but this has been depreciated by the fact that a tasteless provocation has been overshadowed by an even more tasteless legal process. When the Russian Orthodox Church, in its condemnations of a feminist "punk band", has compared feminism with satanism, the Orthodox Patriarch, Kirill II, appears as the foremost representative of a patriarchic society. 

Then, what is Pussy Riot and what is it all about? Let us first put a myth to rest. Pussy Riot is not a punk band. It is a feminist art commune, dedicated to performance art in a wide sense, where provocation is a means to gain attention. 

Pussy Riot originates from the Russian street-art group Voina, which has produced a number of provicative and politically charged art projects. For the presidential installation of Medvedev in 2008, Voina made the performance "Fuck for the heir, Pussy Bear!", where five couples from the group - including a heavily pregnant woman - engaged in public group sex in the Moscow Museum of Biology, which was videotaped and published on the Internet. In 2010, the - then divided - group painted a giant phallos on a bascule bridge opposite the security service headquarters in St. Petersburg, where the result of raising the bridge should be obvious. Several members of Voina have previously been arrested for art projects. One of the now convicted women of Pussy Riot used to be a prominent member of Voina. 

The enormous attention that the indictment against Pussy Riot has created in both Russia and internationally is an example of an increasingly widespread global trend, where politics and art are pitted against each other and the reactions of society become a part of both art and politics. A parallel may e.g. be drawn to China's repression of the artist Ai Weiwei. In Sweden, the performance art project "Okänd kvinna, 2009-439701" of art student Anna Odell met with strong negative reactions the other year, not least from politicians. One should remember that Odell was sentenced to pay 50 day-fines for "dishonest conduct".It is far from a rule that artistic freedom of expression - as in the case of Lars Vilks' Mohammed roundabout dogs - gains strong public support. 

In this context, the perspective is not a comparison between preconditions of art in authoritarian and democratic states, but instead of how the margins of freedom of expression are tested as an effect of art regardless of the character of society. Thereby, the mechanisms of power and authority are illustrated - hopefully with different results in various political systems. That many of both Voina's and Pussy Riot's actions would be subject to public prosecution in most countries is evident. However, what differs is the legal process and the harsh sentence of the three members of Pussy Riot.

The lawsut against Pussy Riot can only be characterized as a travesty of justice. The law against hooliganism that motivated the verdict has such a broad definition that it may more or less cover all "crimes" perpetrated in public space. Hooliganism has however so far not been applied to "crimes" related to religion. If one would have wanted to prosecute the group on religious grounds, the law against extremism would have been applied instead, which e.g. covers acts to incite ethnic or religious hatred among groups in Russian society. However, the Russian constitution is secular, why application of the law against extremism in such a high-profile case, could have resulted in questioning of its compatibility with the constitution. Already in the choice of law, it is obvious that the process has been politically directed and motivated. Where Pussy Riot has claimed politics, the court has claimed religion as motive for the action. By interpreting the law in such a way that defamation of religion may constitute hooliganism, the court avoids applying the more politically chared law against extremism. Thus, paradoxically, the intent of the court appears clearer than that of the convicted, as an avoidance at any price to represent the process as what it actually is - a political trial. 

The question is also to what extent Pussy Riot has had to answer to the previous "crimes" of their art movement. Is it a case of collective punishment? Is it art itself rather than its practitioners that stands trial? From the freedom of expression perspective, these questions are both central and complex, but when art is political, they end up in the background. Instead, focus has been at the intersection of politics and religion in Russia.

The issue of relations between church and state is very sensitive in Russia. The Russian Orthodox Church has developed into providing both legitimacy and identity for political power. The church has subordinated itself to the state, in a way resembling the soviet era, at the same time as it supports reactionary forces within the regime - with a background within the security structures - which at times challenge both Putin and Medvedev. It is thus evident that the regime's internal political considerations have dictated the application of the law. For what Pussy Riot has done is to pinpoint Russia's politico-religious symbiosis.

During the soviet era, the Orthodox Church was strictly directed by the KGB. The Russian journalist Yevgeniya Albats e.g. claims that some half of the clergy in reality were agents of the KGB. Inter alia, the Patriarch of the Orthodox Church until 2008, Aleksy II, served the KGB for many years and made decisive steps in his career by denouncing opposition elements within the clergy. As Pussy Riot now sings about how the state and the church row the same boat, it is a political provocation that challenges mighty interests within Russian society, where relations between church and security interests are a taboo. The reactions of the church has therefore been powerful, but religiously motivated condemnations have carried a clear political undertone. The irritation is further exacerbated as Pussy Riot has compared themselves to Godly maniacs - a tradition of dissenters within Orthodoxy, which e.g. has manifested itself by crazy, but often tolerated, truthsayers. The truth said by Pussy Riot is however too stark for the church, and the parallel to Godly maniacs has thus been portrayed as further evidence of the group's disrespect for religion.

A danger in the process against the Pussy Riot trio lies equally in simplyfying and complicating the case. The simple approach, to consider the trio's destiny merely as political persecution, obscures more complex issues on how far society may allow art to go in its various expressions. To the contrary, the danger of complicating the case, lies in ascribing the group greater artistic qualities than it actually possesses. A rather simplistic art performance has here been regenerated and magnified by the mechanisms of politics and media.

How generously or narrowly the margins of artistic freedom of expression should be drawn is a question that concerns us all and lacks simple answers. However, Russia has for long stepped over the limits of what a purportedly democratic state can allow itself in curtailing civil liberties and human rights. In this context, Pussy Riot has had to pay a disproportionate and exceedingly high price for art as political provocation. In essence, the verdict against Pussy Riot can be summarized by the famous thesis of German author, Kurt Tucholsky: "A country is not just what it does, but also what it tolerates." In Russia, this thesis has been put to the test, and the result stands out as a strongly negative indicator of the country's continuous authoritarian decay.

Paving Political Potholes

For Global Voices Online: Say the word "roads" to most Russians, and you are likely to end up with an half-hour discussion. Throughout history, Russia has been infamous for its bad road quality. However, now Russian provincial city of Yekaterinburg seems to have come up with a solution to the problem, by making bureacrats get down to work. 

Being a road engineer in Russia must be a nightmare. The combination of harsh climate, mud and marshlands, with annual frost and thaw, makes the upkeep of many roads next to an impossible task. During spring, some roads simly float off. Recently, Russian roads were ranked 125 out of 139 in the world by the World Economic Forum 2011-2012 Global Competitiveness Report. 

One might assume that most Russians would have resigned to the task, but, whereas in a country like Canada, with similar conditions, few eyebrows are raised, in Russia roads have become a stain on national pride, in man's constant struggle to tame the forces of nature. Thus, last year, then Prime Minister Vladimir Putin announced a massive road construction programme, to double the rate of building. 

As with most overambtitious plans, Russians exercise some sound skepticism to its realization, and instead are beginning to take matters into their own hands, such as is the case in Yekaterinburg - Russia's fourth largest city. 

"Make the bureaucrat work" is the slogan of a local campaign [ru] run by the regional Internet news agency, Ura.ru. Their solution to the road problem is as simple as it is elegant: They simply spray-paint the portraits of local dignitaries around potholes, with their quotes of promises to fix the problem, and guess what - problem solved! What has taken local politicians years not to do, is now done overnight. The embarrassment of having their portraits so concretely fixed to the potholes of their power, has seemingly made authorities run about like mad to pave over their portraits of impotence, filling the holes in streets and roads.

So, what have been the reactions in Russian social media? 

Tweeter @ekalmurzaeva shouts out [ru]:

Вот как заставляют работать чиновников! Портреты чиновников помогли отремонтировать дорогу.

That's how to make bureaucrats work! Portraits of bureaucrats helped repair the road.

LJ user salvatoreha underlines the efficiency of the campaign, but also points out [ru] that it was not a one-hit overnight victory for the campaign:

Напомним, что художники нарисовали на дорогах городских чиновников, причем ямы и пробоины попадали им в рот. Акция оказалась не только эффектной, но и эффективной. Сначала коммунальные службы закрасили рисунки либо удалили слой асфальта. Ночью авторы оставили дополнительное граффити «Закрашивать – не чинить!» К утру коммунальщики полностью заделали все дыры.

Remember how artists painted city officials on the roads, with pits and holes filling their mouths. The action proved not only effectful, but also efficient. At first, municipal services either painted over the pictures or removed a layer of asphalt. At night [campaign] initiators left additional graffiti "Paint - don't fix!" By morning, municipality workers had fully patched all holes.

Others, like Yekaterinburg LJ user Ivan Dmitriyev, adds [ru] some local colour and humour to the affaire:

Десятки информагенств осветили данную акцию. Но в администрации города отнеслись с юмором к произошедшему, сказав, что Евгений Куйвашев собирается вечером гулять по городу пешком, и ему было бы любопытно взглянуть на одну из карикатур. Но кто-то из высокопоставленных коммунальщиков все-таки решил не травмировать психику родного начальника. Уже к следующему утру все дыры были залатаны, асфальт уложен, а лица, с кричащими ртами-ямами, были, следовательно, закрашены. Результат получен – дело сделано, дыр нет. Вот и благо для родного города. Видимо, когда чиновники закрывают глаза на городские проблемы, необходимо им их раскрыть, а к своему «лику» они, как показал екатеринбургский опыт, относятся трепетно.

Dozens of news agencies highlighted this action. But the city administration reacted with humour to what had happened, and said that [Governor] Yevgeny Kuyvashev was to take an evening stroll through the city, and that he was curious to take a look at one of the charicatures. But some senior municipal official still decided not to traumatize the psyche of his local boss. Already by next morning all holes were patched up, asphalt laid, and the faces, with screaming mouth holes, were consequently painted over. The result was achieved - done deal, no holes. What a blessing to one's hometown. Apparently, when bureaucrats close their eyes to city problems, it is necessary to disclose them, because to their own "ranks", as the Yekaterinburg example shows, they remain in awe.

What is not said, is often more interesting than what is actually said. Critical voices to the "Make the bureaucrat work!" campaign are hard to find in social media. As noted by one blogger, even attacked politicians appear to look positively on the action, making their bureaucracy get down to work. 

As a matter of fact, the method seems so efficient that one wonders how long it will take before the campaign is taken to a countrywide scale, possibly by the lively Russian motorists' movement. As Russia's legislators and police clamp down on political rights these days, perhaps this campaign indicates the growth of alternative popular action, a spontaneously evolving civil society, aimed at solving actual problems in people's everyday lives.

A Disgruntled Middle Class May Cause Putin's Fall

For Newsmill.se: Putin's inability to deliver on his promises sows the seeds to the civil society thay may cause his downfall. It does not suffice anymore to throw out bones to the middle class.


Yesterday, Russia headed to the polls with no real choice. The winner was predetermined. Putin moves in to the Kremlin again, this time with a six year mandate and an option for another presidential term until 2024. A quarter of a century with Putin however appears increasingly unthinkable. The reason is not popular protest, but because Putin's policy is passé. The soviet structural legacy has caught up with Russia and plans to solve problems turned into idle talk. Russians want what Putin cannot do. Instead, people choose their own solutions. Personal interest is turned into societal interest, and the seeds of civil society are sown. 

Largely, Russian challenges reflect western, in terms of an aging population, deficient infrastructure, environmental problems, health and education, but on a much deeper level. Consequences of decades of lacking investment become all the more intrusive into Russian everyday life. Politics turns into an arena of what one must do, and not what one wants. When what one must is not possible, power turns irrelevant for the citizens.

Few things in Russian societal discourse has been discussed with such obsession in recent years as all the plana that necessarily must be realized to meet the challenges of the future. Plan succeeds plan, but results are lacking and the country is sliding deeper and deeper into stagnation. Plans have made politics a prisoner of its own rhetorics, and reality has overtaken Putin in his zeal to catch up. The result is threading on in the same old tracks until running in circles. In practise, there has been a single political priority - stability - that has crowded out all plans for change. Putin's political stability thus paradoxically leads to the opposite - political instability. 

Some events define a regime regardless of whether perceptions are real or not. For Putin, it was terrorism and coloured revolutions. Thus, the play of circumstances set preconditions for an entire political era. Thus, a pathological obsession with internal and external enemies has turned Russian politics insane. Thus, fears of a flawed perception of reality arise. Because when threat turns into norm, the desire for normality rises. The western threat appears as paranoia. Terror becomes all the more tragic when authorities fail - as in Beslan and at the Dubrovka theatre - to deal with it, with an increasing sense of powerlessness as a result. The power of habit is great and the mantra of threat makes realities unreal when rhetorics turn danger into myth. Everyday threats become more real than those of the world, when causes of accident, unhealth, and insecurity are found in the inactivity of a state that self-centredly reflects itself in its own greatness instead of creating a better society for its citizens. 

Because it is a state that grows and grows but is capable to do less and less. When urgency is growing, it is not the state that puts down the fire. This realization grew during the great wildfires that ravaged central Russia during summer 2010. The state not only stood idly by faced by catastrophe, but withheld information that in too many cases could determine life or death to the public. The silence from authorities in connection to major accidents and disasters previously experienced now assumed massive proportions. However, people refused to passively stand by and watch their homes burn to the ground, and instead voluntarily joined together to fight approaching danger, e.g. with the use of social media. Information about the fires was gathered, fire-fighting coordinated and fighting equipment purchased - all on the initiative of ordinary people. The inactivity and incapability of the state forced people to voluntarily help each other. Society turned out to be greater than the state. 

The 2010 fires have ignited a flame that glows brighter and brighter in Russian sosciety by various big and small efforts. Many small and inconspicuous initiatives have been made previously. It may e.g. be policemen and security servants, who informally try to fight corruption and flaws within their own professions. It may be motorists, who inform each other about the corruption of traffic-police. Examples are growing in numbers, and so far it is more a matter about disclosing than fix the flaws and failures of society. What is decisive is that this type of citizen initiatives are not fundamentally political, or at least not perceived as such by participants and surroundings. You simply wants to solve the concrete problems that sorrounds you in everyday life. However, the effect is political in a way are difficult to master by state and authorities, because how does one accuse peole who merely want to improve their country. Many are patriots and honest people. Many also support Putin and his regime.

Here, the Internet has become both a tool to find likeminded people and to build platforms for information and action. It is this type of ideas and initiatives that the famous oppositional blogger Navalny has collected and built his fame on. Thereby, he has made the apolitical political, and turned apathy into sympathy for a spontaneous movement, first with the aim to achieve free and just elections, and then to depose of Putin. The same type of Internet platforms that previously were used to report fires are now used to coordinate voluntary election observation and to report irregularities and fraud at the ballots of Sunday's presidential elections. 

This is a development, which is hard to curb. To crack down on the opposition in the aftermath of elections is one thing. To crack down on those who only wants to do good is a completely different matter. As logics and mechanisms of citizen initiatives are the same, it is next to impossible for the regime to distinguish friend from foe. Already the protests planned for Monday may put the loyalty of police and security service to its test. Opposition demonstrations have gradually turned into festivals. To meet people with violence and brutality is something one for good reason hesitates to do, and it is probably seen as a last way out, both because of the message it would send and for fear of losing control over developments. Even if the opposition gathers masses in the tens or hundreds of thousands, demonstrations only affects relatively few. Many simply do not understand or care what it is all about.

Sunday's elections may not change Russia on the surface, but at its dephts it is a society that gradually is changing at its core. We are witnessing the growth of Russian civil society. Its significance should not be exaggerated, but neither should it be underestimated as both the plan and the rules of the game are changing. The discontent of a growing middle class must be taken seriously and the forms and contents of politics change when people organize. It does not suffice to throw bones around every now and then. Citizens want to sit at the tables of power in a way Russian politics do not understand. It is a question of power over everyday life, about close and concrete problems. Who is in the Kremlin is less important, but power must understand that the needs of the people must be reckoned with. The people deserves to be taken seriously and the needs of society cannot constantly come last in turn. 

Are we then witnessing the end of the Putin era? The truth is that there are no good answers. Still, the Kremlin's communicative disaster in relation to a discontent and protesting middle class cannot go on, as it is now increasingly assuming the forms of political schizophrenia. The middle class mania of power is a constant theme of societal discourse. Now, the middle class is regarded as preservers of society and a self-interested guarantee for continued stability. Now, it is seen as movers of society and a source of Russian reform policies. Now, it is portrayed as subverters of society and traitors, when it demonstratively makes reasonable and righteous demands on politics. At length, the effect is that power turns the middle class away from itself, adds to uncertainty and insecurity, and makes the unthinkable thinkable - a Russia without Putin. Because the more the Kremlin fear propaganda adds to the image that Putin is the only alternative to chaos, crisis, and war, the less serious and credible will he appear as a politician. Propaganda risks turning into a self-fulfilling prophecy, and the personalization of Putin into an icon of a Russia in decay.

The rifts in Putin's coulisses grow and it becomes increasingly difficult just to patch up. Through the growing holes nothing and no-one is seen. The future scenery is dark and gloomy, against a towering warfare backdrop. Many also remember how Putin once sprung out of nothing onto the scene to play the lead role in more than a decade's Russian politics. A new cast for the play may by extension not be excluded, even if it is improbable that the curtain will drop for Putin. Still, it is a changed country that now emerges. We may not trust Russia, but does that mean that we do not trust the Russians when people now rely on their own abilities instead of state stagnation. When Russians are not given any choice, they make their own choices.

State is Greatest Enemy to Russian Economy

For Veckans Affärer: In 2010, business paper Euromoney Magazine awarded Russia's Alexei Kudrin finance minister of the year in the world. Less than a year later, he was sacked by president Medvedev and joined a fragmented Russian opposition. This is just one example of how state and politics become Russian economy's greatest enemies. Growing political unrest in the runup to Sunday's presidential elections emanates from middle class discontent with failing governance, corruption, and political parasitism. "Stability, stagnation, and then what?" is what an increasing number of Russians ask themselves. Uncertainty about the future has suddenly increased the political risks with Russian economy.

Russian economy is in good shape. With a budget in balance, one of the lowest state debts among major countries, just over 4% growth and 5% inflation in 2011, the country's prospects seem bright. Threats are the usual: Falling oil prices and turbulence in the financial markets. Despite positive signs, we now see a lapse in recent years' dynamic developments. A temporary "wait and see" in the runup to Sunday's elections may lead to a more permanent economic slow-down because of political inability to cater for long-term economic needs.

January witnessed the greatest financial outflow from Russia since the 2008-2009 financial crisis. Growth was at zero and inflation is expected to rise during 2012. Where political analysts are silent, the market speaks out clearly. Trust in state and politics plummets, as the failed December parliamentary elections have dislodged the power and interest balance within United Russia - the country's ruling politico-economic cartel.

Even if fears prove exaggerated, it will take much time before the system reaches equilibrium again. The effects of prominent politicians' resignations become increasingly clear. Above all, Kudrin's sound financial policy has been replaced by overbid policies and pork-barrelling. Increased state expenditures is like throwing money into a black hole, believing it is a wishing-well. The flow of money instead runs from the oil wells, where energy constitutes a third of state income. Outside the energy sector, only middle class consumption drives the economy.

Putinism's political strategy - to promote the middle class in exchange for power - has failed. Instead, they have to bear the burden of a bureaucracy, which has grown by 40% since 2000. State efficiency has constantly fallen since 2003, with a corruption that affects everyday life of an increasing number of Russians. Only during 2011, the level of bribes tripled, accordning to the Interior Ministry. Bureaucracy and corruption are poisoning the flexible and dynamic business climate, where everything was forbidden, but everything also possible. Opportunities have decreased and hopes for the future changed to skepticism and discontent. Recent popular protests have thus greater depth than ordinary political opposition, as the state obstructs basic preconditions to earn money and make a decent living.

Except for the country's dependence on oil prices, Russian society is confronting fundamental structural challenges, which demand an increase in economic diversity. Declining demography reduces the number of Russians of productive age. Mounting flaws in infrastructure, health, environment, and education threaten to shrink productivity. Politics has not only failed to address these flaws. It has also reduced the economic incentives of the middle classes to contribute to diversification. 

What worries most, is the increase in political polarization that Putin now propels. The protesting middle class, with reasonable demands on those in power, is portrayed as traitors. This is a dangerous message and illustrates a contempt for those, who until recently were seen as Russia's future. As derision turns into threats against protesters, Putin alienates and provokes the very groups that have greatest potential to contribute to the country's further development and shows that material more than human resources are seen as the source of Russian growth. The economy may be sound, but as long as political malaise is spreading in the social body, risks will grow for Russian economy as people now have had enough of Putin.

Belarus: East and West and Nothing in Between?

For Global Voices Online: "East is East and West is West, and never the twain shall meet." This chronically misused Kipling phrase seems to catch realities for an increasing number of Belarusians, as recent protests and crises have become a rude awakening from the torpor of the last Soviet "sleeping beauty." Waking to a wild and hostile world, many people now start asking: "Who cares about Belarus?"

Coverage found in the Western media of the recent developments in Belarus largely follows the general pattern of repression, with a few opposition activists highlighted, but still with little added to the familiar story. It is true that the economic crisis that has recently hit the country and Russia's gradual takeover of Belarus' economy have added spice to the stew, whilst the ultimate news would be the ousting of President Lukashenko.

Until that day, though, Belarus seems deemed to remain in limbo between East and West. Or would Lukashenko or no Lukashenko really make a difference? An increasing number of voices in Belarus say that the limbo will linger on, and Belarus is bound to remain in a grey zone between East and West.

Thus, LiveJournal user by_volunteer complains [ru] that the country's economy is sold out to Russia, whereas Europe has enough problems of her own to trouble to care:

Беларусь пошла с молотка и это очевидный конец. Руководство Беларуси заключило сделку и тихонько распродаёт страну, в расчёте на политическое убежище, все наши ура-патриоты спокойно на это смотрят. Основные предприятия страны переходят в собственность к России, это российские капиталовложения в нашу собственность. Как можно это допустить и как может ЕС так спокойно упускать свои перспективы на будущее в Беларуси?! Это же полный провал европейской политики, тем более в ЕС нарастает огромный финансовый кризис, европейский бизнес девать просто некуда. Это немощный инфантилизм и позор, нельзя допускать завершения сделки с Россией, это огромная ошибка, нужно срочно принимать меры!

Belarus went under [the auctioneer's] hammer and it was a foregone conclusion. The leaders of Belarus made a deal and are quietly selling off the country, counting on political asylum, and all our hooray-patriots calmly look at it. The main enterprises of the country are becoming Russian property. It is a Russian investment in our property. How can this be allowed, and how can the EU so calmly give up on its views on Belarus?! It is simply a total collapse of European policy, especially as an enourmous financial crisis is brewing in the EU, and European business simply has nowhere to turn. It is powerless infantilism and a shame. Оne cannot allow dealing with Russia. It's a big mistake, and urgent action is needed!

But where is Europe, and where is justice? Feelings of abandonment and, for all appearances, being treated unfairly are obviously spreading, adding to a sense of general disappointment and hopelessness in everyday life and in hopes for the future. Writing about a denial of an EU-Schengen visa for her son, a mother laments [ru] over how she feels people from Belarus are regarded:

Нет правды в Беларуси. Десятки лет мы получаем лживую информацию, слышим безответственные обещания, видим потемкинские деревни. Наелись. Все цивилизованные страны единодушны в оценке и называют такое поведение властей издевательством над народом. Но как оценить издевательство над многострадальными гражданами посольств этих цивилизованных стран, когда после заявлений о смягчении визовых режимов для белорусов, отказывают в визе даже тем белорусам, которые по всем критериям очень даже выездные. [---] Мой сын закончил третий курс университета. Хотел съездить во Францию по частному приглашению. Получил отказ. Поскольку ничего плохого за ним никогда не водилось, единственной причиной отказа считаю административный арест 19 декабря на 15 суток. Он проходит по спискам и, скорее всего, поэтому посольство Франции ответило: «У нас нет уверенности, что вы покинете страну по истечению срока визы». Интересно получается. Два списка фигурируют для запрета въезда в Евросоюз: официальный - список чиновников и неофициальный список задержанных. [---] И стало, знаете, очень обидно. И очень одиноко. И за демократию бьют по голове, и демократия бьет по голове. И никому мы не нужны. Ладно бы не нужны – и на порог не пускают. А главное, никакими демократическими процедурами это решение не оспорить. Где справедливость, где права человека, какие гаагские суды рассматривают отказы в выдаче визы? Какие правозащитные организации защищают таких людей? А главное, отличается ли белорусская судья, превентивно выносящая приговор за несовершенное правонарушение, от французского чиновника, отказывающего в визе за несостоявшийся невозврат?

There is no truth in Belarus. For decades, we have been getting a pack of lies, listening to irresponsible promises, seeing the Potemkin villages. We are fed up with it. All civilized countries unite in their judgment and name such conduct of power a mockery with the people. But how is such mockery with the long-suffering citizens valued by embassies of these civilized countries, when - after declarations of a softened visa regime for Belarusians - visas are denied even to those Belarusans who really by all criteria are liable for them. [---] My son finished his third year at university, and wanted to go to France on a private invitation. He got a rejection [to his visa application]. As he has never been up to anything bad, the only reason for rejection, I think, is the administrative [post-election protest-related] arrest on December 19 for 15 days. He is on the lists, and therefore, supposedly, the French Embassy replied: «We don't know if you leave the country after your visa expires». It all becomes interesting. There appears to be two lists for denial of entry to the European Union: An official - the bureaucrats' list - and an unofficial list of those who had been arrested. [---] And then, you know, it becomes really hurtful. And very lonely. Getting hit on the head for democracy, and then getting hit on the head by democracy. Nobody needs us. It's okay if we are not needed, and not let over the threshold. But the main thing is that there are no democratic procedures by which to appeal this decision. Where is justice, where are human rights, which Hague courts review the denials of visas? What civil rights organizations defend these people? And above all, does a Belarusian judge, who preventively passes verdict for a crime not committed, differ from a French bureaucrat, who denies a visa for a non-return that has not taken place?

Touching on the classical Tolstoian question of the evil inside us all and the need to come to terms with it, LJ user dolka777 asks [ru] how people allowed the Lukashenko regime to develop:

Как мы вскормили диктатора. Это вопрос, который я себе задаю постоянно. Мучительно вспоминаю, как и когда я сама впустила в себя эту диктатуру. Свято верю, что в каждой судьбе должен быть такой момент, когда ты соглашаешься со злом только потому, что твой двоюродный брат работает в КГБ и он – клевый парень, а тебе не хочется его обижать. Или хвастаешься другом, который парится в парилке с личным сантехником Его Величества. Шугаешься коллег или сокурсников, которые связаны с оппозицией. Думаю, что здесь, в бай-политикс собрались те, которые, возможно, ничего такого не делали. Но все же. [---] И теперь вопрос каждому: что ты лично сделал для того, чтобы в Беларуси воцарился диктатор?

How did we nourish a dictator? It's a question I ask myself all the time. It is painful to remember how and when I, myself, let this dictatorship in. I sincerely believe that in every destiny there has to be such a moment when you consent to evil only because your cousin works for the KGB, and he is a cool guy and you don't want to hurt his feelings. Or you boast about a friend who has steamed in the same sauna as His Highness. You vilify those colleagues or classmates who are connected with the opposition. I believe that here, in the .by-politics, those have gathered who perhaps did nothing like this. But still. And now a question to each and everyone: What have you personally done so that a dictator could reign in Belarus?

So, as the shrill voices of Lukashenko loyalists and opposition activists reach crescendo, perhaps there are weaker voices wondering why they cannot simply be allowed to be here, "tuteishi", and lead a normal life between Russia and Europe.

Kipling's famous poem on East and West has a less-known ending: "But there is neither East nor West, Border, nor Breed, nor Birth, When two strong men stand face to face, though they come from the ends of the earth!"

So, even if Russia and Europe, as two strong men, would learn to respect each other, where would that leave Belarus but in a grey zone? Perhaps, for many Belarusians, East is East and West is West, and there is no place for the rest, living in between.

Russia: Cruiser Catastrophe Causes Questions

For Global Voice Online: As casualty numbers rise from Sundays' ferry catastrophe on the river Volga, Russians have come to the bitter realization of yet another tragedy, with a death-toll of well over a hundred people. As usual, news of deplorable conditions are brought to public attention, causing popular anger and indignation, but this time these feelings almost seem to outdo those of sympathy with the victims and their relatives, as the Russian blogosphere reacts to the tragedy.

On Sunday afternoon, July 10, 2011, the "Bulgariya" cruise-ship capsized on the Kuibyshev dam of the Volga river. According to official figures [ru], 129 passengers are still missing and have supposedly perished in the waves.

How people react to disaster and catastrophe is often quite telling of the times and circumstances they live in, and what they expect from the future. In disaster-ridden Russia, such tragic events are often an opportunity to display national unity in commemoration of the victims, which people usually show great respect and reverence to. Thus, President Dmitry Medvedev declared [ru] 12 July, 2011, a national day of mourning.

Still, reading Russia's blogosphere, the sense of national foreboding seems to overshadow that of mourning, as - for many bloggers - the sunk vessel comes to symbolize the future fate of Russia.

At first though, the deplorable state of the ship was a subject of intense discussion, both in mainstream media and on blogs. Whereas information is diverse and varies, the overall impression is that of a floating coffin. The relatively moderate - and changing - data on the Bulgariya on Russian Wikipedia [ru] is quite telling: Built in 1955, no waterproof bulkheads, no major overhauls, name-change last year, low lateral stability, leaving port with a 5 percent starboard list, left engine out of order, 208 people on board instead of the assigned 140 maximum; all in all led it to sink in merely three minutes.

One does not have to be a sailor to see that "Bulgariya" was not seaworthy, and one can only imagine the number of hurdles the people running it must have jumped to get it past naval safety inspection and other controls.

Feelings of anger and wrath are also raging among bloggers. Voices from Russia expresses the many demands for vengeance, but also exploits the tragedy in calling for a more authoritarian Russia:

Suffice it to say, heads are gonna roll as a result of this. The responsible parties are gonna get learned, kiddies… they’re going to absorb the full meaning and implications of каторга (katorga: forced labour) in Correctional Colony 1313 in the Sakha Republic… or, they’ll have the pleasure of the multifarious joys of Correctional Colony 3131 on Cape Anadyr. They fought the law and the law won! It ain’t nice to fool around with Papa VVP… things tend to happen (like bustin’ rocks under the Arctic sun). It’s not like the Republican Wonderland of Texas… where Kenneth Lay of Enron fame (pal of GWB and loudmouthed Born-again “Christian”) didn’t serve a day in prison. You can have an attitude like Russia’s, where miscreant businessmen go to jail… or, you can have an attitude like Texas, where buccaneer businessmen are coddled. In 2012, you can choose… choose well… for you’ll not get a “second chance”.

Contrary to this, a great number of bloggers show distrust towards government authority, pointing to its recorded pattern of bad information management even when confronted by obvious crises and disasters. Thus, initial official information of the Bulgariya catastrophe spoke of an accident but no casualties.

An early comment, by LJ user 999allan999 responds to this simply by presenting [ru] a number of assorted news items on the accident with the suggestive title:

Как обычно. Сначала официально-бодрое «жертв нет»…

As usual. At first the officially cheerful «no victims»...

LiveJournal user shri_boomer - a naval officer himself - relates [ru] to this, but also voices his loathing of the people on passing ships who filmed the Bulgaria's drowning passengers:

Во время этой трагедии, поразила не только неспособность государства, дать какую-то вразумительную информацию обществу, но и то, что мимо тонущего судна спокойно проходили другие теплоходы, а люди стоявшие на палубе снимали трагедию на видеокамеры и телефоны. Эта дикость, от которой мурашки бегут по коже, свидетельствует только об одном: люди настолько зачерствели, что перестали быть людьми.

During this tragedy, I was struck not only by the state's incapacity of providing society with some sort of intelligible information, but also that other ships silently passed by the sinking ship, and people stood on deck filming the tragedy with video cameras and [mobile] phones. This is a savagery that makes one feel like ants are running across one's skin, and only testifies to one thing: People have become so petrified, that they have ceased to be human.

Recollecting merely the most recent disasters, shri_boomer goes on [ru] criticizing the government's tendency to write off everything that does not work and increase control of that which still seems to work, although nobody will obey:

Налицо все признаки того, что питерская ОПГ, теряет контроль в управлении страной [---]. Каждый день государственная власть поражает нас новшествами по усилению безопасности граждан и обустройству России.

Взорвалась бомба в Домодедово – досмотр пассажиров ужесточить, Домодедово отобрать. [---]

Списать самолеты «Ан», списать вертолеты Ми-8, списать речной флот. Да, что там, списать устаревшего девяносто процентов трамвайно-тролейбусного парка страны, десятки тысяч автобусов, миллионы километров водопроводных труб и линий передач, сотни ТЭЦ и ГЭС. Все это нужно списать, а досмотр пользователей ужесточить. [---]

После всего этого можно будет списать население. И тогда наступит настоящий День Траура. Жаль только, что соблюдать его будет некому, ибо придет Время Троглодитов.

There is every evidence of the St. Petersburg gang losing control of managment over the country [---]. Each day state power introduces new measures to strengthen the security of its citizens and to upgrade Russia.

A bomb exploded at Domodedovo [airport] - stricter passenger control, and closing Domodedovo.

Writing off «An» aircraft, writing off Mi-8 helicopters, writing off the river fleet. Yes, and in addition, to write off the obsolete 90 per cent of the tram and trolley-bus fleet of the country, tens of thousands of buses, millions of kilometres of water pipes and transmission lines, hundreds of power stations and hydro-electric plants. All this needs to be written off, and control of users tightened. [---]

After all this, one might as well write off the population. And then we will have a real Day of Mourning. It's a pity only, that no-one will observe this, or [if they will] then comes the time of the Troglodytes.

Drawing on similar sentiments, LiveJournal user dr_lunikoff compares [ru] the era of the Soviet demise with today's situation:

В связи с этим вспомнился стишок 1989 года, который ходил тогда у нас по рукам и из-за которого нас чуть из школы не выгнали. Стишок был выучен наизусть (чтоб не быть пойманным с крамолой на руках), потому и запомнился. Он описывал самые заметные ужасы катастройки (в частности, гибель теплохода "Адмирал Нахимов" в 1986 году) и до ужаса был похож на сегодняшние реалии:

Утопили пароход,

Пропустили самолет,

Наркоманов развели,

СПИД в Россию завезли

И какая-то пи..да

С рельсов валит поезда...

Relating to this, I came to think of a small poem from 1989, which then passed from hand to hand and almost got us thrown out of school. The poem was learnt by heart (so that they could not catch us with sedition on our palms), and therefore I remember it. It described the most notable horrors of katastroika [combined catastrophy and perestroika], (especially the loss of the ship "Admiral Nakhimov" in 1986) and is terrifyingly similar to today's realities. 

A ship sank,

A plane was lost,

Addicts spread,

AIDS was brought to Russia,

And whatever f...ing else

And the trains are sliding off the rails...

Finally, Viktor Perfilov of Kazanskie vedomosti sums up [ru] the feelings:

Я невольно вспоминаю ту известную фразу Путина о АПЛ "Курск", хотя в то время мне и 10 лет не было

- Что случилось с Вашей лодкой?

- Она утонула

А Медведев пока не нашел, что сказать на сей счёт. Системный кризис [---] проявляется всё больше, а положение лучше не становится. И лучше при нынешней ситуации вряд ли станет...

I cannot help recalling Putin's famous phrase about the submarine "Kursk", even if I wasn't even ten at the time:

- What happened with your boat?

- It sank.

And Mededev has still not found out what to say about this. The systemic crisis is increasingly evident, and the situation is not getting any better. And under current circumstances, it is not likely to.

Belarus Beyond Bomb or Blast

For Global Voices: Even before the smoke from Monday's Minsk Metro blast dispersed, the dual question of: "What is to be done? - Who is to blame?" arose in the Belarusian blogosphere. Two major strands of thought dominate, blaming either President Lukashenko or the political opposition, although a deeper sentiment of sympathy for the victims seems to unite the people of Minsk.

The Monday explosion in a subway station in Belarus capital Minsk is undoubtedly the largest act of violence in Belarus since World War II, leaving tens dead and some hundred injured. Understandably, people in the usually tranquil country reacted with both loathing and anguish, perhaps as a premonition of a shattered social fabric. Still, initial reactions from the blogosphere largely grasped at the question of who was to blame.

Although oppositional voices vary in passing the blame on Lukashenko and his regime, the overall impression is that this is what such a repressive system produces, by mechanisms of defunct societal interaction. LJ user svobodoff, for example, thinks that [ru] "the explosion has covered the regime in blood":

Такого кошмара люди в относительно спокойной когда-то Белоруссии от режима Лукашенко ещё не ожидали. Последние несколько лет существования диктатуры преподносили много неприятных "сюрпризов" для миролюбивых белорусов, но никто не думал, что это может зайти так далеко.

"Such a nightmare, the people of the previously relatively peaceful Belarus had not expected from Lukashenko's regime. The last few years of the dictatorship's existence have heralded many unpleasant "surprises" for peace-loving Belarusans, but nobody thought that it would go this far."

Bloggers loyal to the regime reacted with vehemence against any attempts to pin the blame on the Lukashenko regime, as LJ user lyavon did [ru]:

Не успел рассеяться дым от взрыва, как в интернете словно по команде появились сотни постов с обвинениями в адрес властей... авторам уже все ясно - виноват опять президент. Злобная Петра на минскбае, засучив рукава, банит всех, кто пытается высказать мнение, отличающееся от утвержденного из Вашингтона. Просто п[---]ц, у этих свиней нет никакой совести... Люди! Одумайтесь!!! Нельзя так бесстыдно использовать чужие страдания!!!

зы: судя по всему, это попытка разыграть египетский сценарий... сейчас будут призывать идти на плошчу и тд и тп...

"The smoke from the explosion had not even settled, before hundreds of posts, as if by command, appeared on the Internet with accusations directed towards the government... For the authors, everything was already clear - the president is once again to blame. Like a vicious Peter on Minskby [Minsk web community], with sleeves rolled up, banning everyone, who tries to express an opinion, which diverts from the one stipulated by Washington. It is simply **** that these swines have no conscience... People! Come to your senses!!! One should not so shamelessly exploit others' misery!!!

P.S. By all apperances, this is an attempt to unfold an Egyptian scenario... Now they will urge [us] to take to the square and so on..."

But there are also reactions against the polarization of interpretations. Thus, LJ user khatskevich writes [ru]:

Вчера произошло два ужасных события. Теракт и реакция на него. Страшно подумать – буквально не успели кровь смыть, как в блогах и твиттере прогрессивная общественность уже стала делать выводы и бросать обвинения. Оппозиция винила власть и белорусские спецслужбы, лоялисты винили оппозицию и зарубежные спецслужбы. Смешалось в кучу всё – доллары, сахар, Ливия – всё, что могло послужить хоть каким-то обоснованием пропаганды. [...] Лично мне кажется, что все эти домыслы и взаимные обвинения похожи на то, как если бы блогеры сбегали на Октябрьскую, перемазались в крови жертв, и стали бы кричать всякие лозунги, типа «это кровь жертв режима!» или «эту кровь пролили отморозки из пятой колонны» [...]. Люди, вам не стыдно? Да, мы по разные стороны политических баррикад. Но разве это повод уподобляться всякой нелюди и устраивать пиар своих идей на крови жертв теракта? Мы что, не в состоянии отбросить идеологические противоречия в эти страшные дни и просто побыть людьми?

"Yesterday, two terrible events occured. The terror act and the reaction to it. It is awful to think, but the blood had literally not been washed away before the progressive public already began to draw conclusions and make accusations. The opposition blamed the government and Belarusian special services, the loyalists blamed the opposition and foreign special services. Everything was mixed up in a nice heap - dollars, sugar, Libya - everything that could serve as any basis for propaganda. [...] Personally, I think that all these speculations and mutual accusations are as if bloggers ran down to Oktyabrskaya, smeared with the blood of the victims, and began to call out such type of slogans as "this is the blood of the regime's victims!" or "this blood was shed by the thugs of the fifth column" [...] People, are you not ashamed of yourselves? Yes, we may stand on opposite sides of the political barricades. But is this really a reason to characterize everyone as inhumane and make PR for your ideas by the blood of an act of terror? Are we not able to set aside ideological contradictions during these terrible days and simply be people?"

By the end of the day, perhaps some of the last sentiments may prove closest to the truth. It seems that people are simply fed up with the classical duality of "What is to be done? - Who is to blame?" when things go wrong. What this means for Belarus, only the future can tell, but at least it may be a sign of fatigue from the polarized divide between repression and resistance in the country.

Lights out Luzhkov

Driving past the Moscow mayor's office at night in the early 1990s, lights were always on in Mayor Popov's office. During the turbulent times back in 1991-92, this was meant as a sign to Muscovites that at least someone struggled to get things back on course. As usual, the paradox of doing the impossible merely resulted in a plethora of Popov anecdotes. Now, lights have gone out for his successor, Yuri Luzhkov, and as a conflict unveils before the eyes of an amazed public, interpretations of it as part of a general Russian power struggle for the 2012 presidential elections risk becoming anecdotical. To avoid this, my advice is simple: Follow the money!

That Luzhkov's position was precarious has been evident since this summer's wild fires covering the Russian capital in smoke for weeks. Still, one should not forget that his dismissal has been longer in the making than most would care to remember. The struggle between Russia's two capitals, Muscovites and Pitertsy, is a major theme in Russian politics, that also Putin's road to power is part of. As a protegé of erstwhile St. Petersburg mayor, Anatoly Sobchak, Putin is likely never to forget how instrumental Muscovite interests were for defeating Sobchak back in 1996, and the dire consequences this had for himself. Ever since, the Pitertsy have been longing to get back at Luzhkov, barely succeeding to keep him at bay in the 2000 presidential elections that brought Putin to the Kremlin. Of course, this is common knowledge for anyone following Russia. What is interesting is how little this has been the focus of attention recently. Instead, Luzhkov's dismissal is predominantly interpreted as part of a struggle between Medvedev and Putin for the 2012 presidential elections.

Of course, as Gazprom-owned TV-channel NTV led the campaign against Luzhkov, it is easy to draw the conclusion that Medvedev, still retaining power over Gazprom, pushed the button, which is likely also the case. Does this mean that Putin was against ousting Luzhkov, as part of some ongoing duel between himself and Medvedev? Well, there is reason for skepticism to such arguments, even though they currently seem at sway. As much as there are contrasting interests between Putin and Medvedev - as in any dual power system - one should be careful when it comes to explaining everything in such terms. Still, the temptation is great for any Kremlinologist to jump at too far-reaching conclusions when centres of power engage into open battle. Simply following the political trail may however prove a sidetrack.

Instead of zooming in on who will succeed Luzhkov as Moscow mayor - a relevant question in itself - now any Russia watcher may - in real time - be able to cover a greater field in charting power relations in the country than might be deduced merely from the political game. Those who remember the Khodorkovsky case and the Yukos scandal back in 2003 are likely to recognize a recurrent pattern. As back then, Putin stands aside, some mediator - this time Sechin - carries on deceptive negotiations on how to settle a conflict of interests, while the possy prepares to move in for the kill. So, as was the case with Yukos, the interesting issue is who will divide the spoils after Luzhkov - or rather what will happen to his wife's business empire. As illustrated by the NTV-documentary, it is not only Luzhkov one is going after, but also his financial basis.

Needless to point out, there is a reason why Luzhkov's wife, Yelena Baturina, ranks eight in Russian riches. The politico-financial symbiosis between the mayor and his wife in the capital's building and construction business is a racket that has sky-rocketed Moscow real estate prices to some of the highest in the world. With all adjoining businesses under the former mayor's influence, living costs have reached ridiculous levels for most Muscovites. Still, this is the sort of daily corruption that no one cares to bother with, regarding it merely as a way of life. The question now is if Luzhkov has reached a settlement e.g. with Sechin, giving him some sort of immunity in an ordered exchange for his wife's business empire, or if we will witness something similar to what happened to Yukos.

The point is that regardless of struggle or settlement over the Luzhkov spoils, following the money may shed much more light on how forces arrange themselves for the future than merely regarding it as a traditional Kremlinologist game. So, it may be worthwile to pay attention to who goes in for the kill on Luzhkov's legacy - whether in person or by proxy. As lights go out for Luzhkov, lights on his legacy should be kept on for anyone wanting to decipher the machinations of Russian politics.

Creditors of conscience

What makes it all so hard to understand? That is the question that arises with authoritarian regimes and comprehension of basic political dynamics. On the surface, it seems they are rather daft, but perhaps it is the corrupt system, the brutality out of which they are born and bred, and the sense of no tomorrow that make them turn a blind eye to realities? So, does it take a child to point out that the emperor is naked or is he well aware of the fact and simply pretends being dressed?

For over a year now, Azeri bloggers and youth activists Adnan Hajizade and Emin Milli have been jailed on fabricated charges in a travesty of justice that would rock most legal systems – but Azerbaijan’s.

On the eve of 8 July 2009, Hajizade and Milli were assaulted and beaten by two strange men in a Baku restaurant. Reporting the incident to the police, they were – instead of their assailants – detained on charges of hooliganism. After a prolonged legal process, Hajizade and Milli were sentenced to two and two and a half years’ prison respectively – severe convictions for such petty crime. That allegations were unreasonable must have dawned on the officers of the court. The two plaintiffs were former professional athletes trained in martial arts, and the accused two slender bloggers. What is the likelihood of Hajizade and Milli provoking a pub brawl with karate clones, except possibly for a severe death wish? No, their true crime is saying “The emperor is naked!”

Making a mockery out of a regime with no sense of humor may prove dangerous, which Hajizade and Milli experienced first-hand. As youth activists, they used comedy as means of opposition, and this was obviously regarded dangerous by the regime. In this respect, their destinies differ little from most similar cases worldwide. While peculiarities of each individual miscarriage of justice can never be underestimated, there is no need to go into further detail here. Suffice to say, for once, international reactions have been stern, by e.g. the UN, the EU, and the US. Amnesty International has declared Hajizade and Milli prisoners of conscience.

So, is that all there is to it? Perhaps not, for there is an aspect often overlooked in cases like these. Despite international pressure, most regimes do not budge to demands of releasing political prisoners with relatively short prison sentences. Getting amnesty for prisoners of conscience is a long-term commitment, and most regimes simply do not care if they get another smudge on an already smeared international image. Instead, an economic analogy may be in place to get the message through, in currencies and denominations comprehensible for a regime where power is a pyramid-scheme for personal enrichment. In such a system, the persecuted are creditors of conscience.

We have all seen this before – an authoritarian regime ruling a strategically situated country with natural resources in international demand. The result is most often a system where corruption is endemic al, government office distributed as fiefdoms for a limited élite, and a small degree of wealth distribution. The only things that trickle down to ordinary people are oppression and the sense of no future. Politics is economics and economics is politics.

Lessons learnt should be evident, but still the same mistakes are made repeatedly. For the outside world, Azerbaijan carries strategic importance, but there is little strategic about the country’s politico-economic system. Certainly, the going may be good in the short run, but in the long run, all stand to become losers. For states and companies alike, strategic investment in an unsustainable system is putting one’s capital at stake – whether a capital of confidence or of hard cash. In Azerbaijan, there is as little transparency to actual governance as there is to real oil reserves. Basically, you invest in junk bonds both politically and financially, and the only reason you stay on is because there is a line of people behind you willing to fill your place for short term gain. The hard question is when to opt out, but then quitting is not an option, although you know deep down that sooner or later the bubble will burst. Somewhere down the line, investors will have had enough and start asking hard questions needing good answers.

So where do two jailed bloggers fit into this scheme? What makes them creditors of conscience? Basically, people like these are like inconvenient auditors of a Lehman Brothers, a Freddie Mac or a Fannie Mae, threatening to shake the foundations of the system by posing fundamental questions. That the system is unsustainable is for all to see, but most people choose to turn a blind eye to realities. It is just the way it should be, as it always has been, and always will be. For the whistleblowers, there is a high price to pay, pointing to greater or minor absurdities, and in the process challenging the system and its persistence. Repression of critique and opposition only serves to demonstrate mounting regime deficiencies. This is the political equivalent of economic indicators. The greater need for repression the more the curves turn downward in terms of political – and indirectly economic – stability and development.

In essence, it is all like a great poker game with a cheating gambling addict trying to persuade you to be let in on the game: “Hey, Hilary! Tell them I’m good for it… I’ll even bring my own stack of marked cards.” And when reminded of old unpaid debts, there is always some rationalization like: “Just look at what happened in Iran last year! Is that what you want also here in Azerbaijan – the spread of Islamic fundamentalism?” That there is no reason or rationality in such flawed and faulty arguments seems irrelevant, as the main message is: “Don’t rock a sinking boat!” The Azeri government asks the world to bankroll it in terms of non-existent politico-economic legitimacy, with the empty threat of turning to another casino where moral debts are considered null and void. Perhaps it is time to call this bluff as gambling at “Casino Moskva” holds too great stakes with debts collected as “pounds of political flesh.” There simply is no fresh start with a regime burdened by moral debt and even if there were, old habits die hard – resulting in the same situation as before – in one form or another.

Eventually, the flow from the cornucopia of unchallenged credibility must end. The question is who will make the call – spectators of a naked emperor or players of a greater gamble. They all know that authoritarian Azerbaijan lives on borrowed time. The difference is pointing this out to the world, which obviously needs to be reminded that – as with any debt collection – it is often the small creditors, perceivably standing the least to lose – that are the first to call for bankruptcy making the fraud collapse like a house of cards. That is why creditors of conscience – whether a Hajizade, a Milli, or a Sakharov – provoke such fears with repressive regimes.

Orthodoxy or Death to Degenerate Art?

For Global Voices Online: "Orthodoxy or death!" are the war cries sounded in recent weeks as forces of religious reaction have entered into fierce battle with liberal arts, in an apparent Russian parallel to the Muhammad cartoon case. The casue of conflict is the trial and conviction of two art curators for a 2007 Moscow exhibition of contemporary art. Following the media spin, one may be led to believe the conviction was a resounding triumph of reactionary religious forces, but as so often is the case, appearances may be deceptive.

On 12 July, the Moscow Tagansky court found art curators Yuri Samodurov and Andrei Yerofeev guilty of "inciting ethnic and religious strife" by their exhibition "Forbidden art - 2006" -- in a case brought against them by the Russian right-wing organization Narodny Sobor -- and sentenced them to pay fines of 200.000 (6,500 USD) and 150.000 (4,900 USD) roubles respectively. The verdict was a disappointment for both reactionaries -- hoping for a three year jail sentence -- and liberals -- wanting an acquittal. Once again, concerns are raised where the limits on freedom of expression in Russia really are heading. Thus, yet another Russian case is likely to end up in the European Court of Human Rights in Strasbourg.

So, is that all there is to it? Perhaps, but it may also serve as an example of how not only freedom of speech lies in the balance, but also how that balance itself becomes an art "happening" by treading the thin line between art and society -- as the debate surrounding "Forbidden art - 2006" illustrates.

The saying "A picture says more than a thousand words" is truer to Russia than to most other countries. Take a tormented Jesus with the head of Mickey Mouse or Christ with the face of Lenin, and then wait for reactions. The limits of art are constantly pushed further afield. The dictum of the century-old Russian futurist manifesto "A slap in the face of public taste" maintains as much a prominent role in Russian arts and culture today as it did in the early 1900s. But in our day and age, slaps are not always what they seem.

So, what is then the basic story behind it all? Well, back in March 2007 art curators Yuri Samodurov and Andrei Yerofeev organized an exhibition of artworks that had been rejected from mainstream Moscow museums and galleries during 2006 -- thus the title "Forbidden art - 2006." The purpose of the artshow was to shed light upon self-imposed censorship quelling the Russian artscene, turning the tide towards more traditional displays of art. The exhibition had a meagre total of 1,020 visitors. Still, it attracted the attention of a small reactionary religious movement, which took Samodurov and Yerofeev to court for offending their religious feelings. Thus, the show was on the road, ending with the very verdict against the art curators, that now has brought so much attention to the case both in Russian and international media. LJ user don_beaver indignantly summarizes [RUS] the case thus:

Not long ago, some artists organized an exhibition in a private gallery. People, who were not even at this gallery, declared that their religious feelings had been hurt by the exhibition and went to court. The judge agreed with them and fined exhibition organizers heavily. The only good [thing] about it was that they were not put in jail.

What was then the drama that turned media's attention towards the case -- beside its freedom of expression aspects? As the verdict was read out last week, a small crowd of bearded men in black uniforms had gathered outside Tagansky court, wearing T-shirts with the text "Orthodoxy or death." Behind these lines lies more than what meets the naked eye. "Orthodoxy or death" (gr. ορθοδοξία ή θάνατος) was originally a motto of the famous monastery of Esphigmenou on Mount Athos, Greece, in its struggle against the Patriarchy of Constantinople, but since the 1990s it has become a token of intolerance and extremism also in Orthodox countries like Serbia and Russia. This photo-op was what caught the eyes of media present outside the court, resulting in vivid pictures of crackpot nationalists setting the Russian civil liberties' agenda in newspaper articles throughout the world. The symbolic effect was so great, that rumours about an upcoming church-initiated proposal to addend the Criminal Code with the crime of "heresy" reached respectable newspapers such as Argumenty i Fakty. However, according to LJ user tristen2e [RUS], this was all a hoax:

Besides, everyone believed the sensational news, even though they sounded words, ascribed to father Vsevolod, about heresy "as any form of opposition to Orthodoxy." Obviously, such an unlearned expression in itself could hardly be uttered by such a skilled church diplomat and rhetoric as archpriest Vsevolod Chaplin [spokesman of the Russian Orthodox church]. However, as is often the case with a summer languishing with heat, journalist colleagues could have mixed it up -- everybody thought -- and thus the news started to travel the web.

For the liberal supporters of Samodurov and Yerofeev, the "Orthodoxy or death" emblem, obviously, was like raising a red rag, reminding them of battles fought during dissident days of a soviet past. This is perhaps also an important aspect that has largely been left out of reporting on the case. In fact, the art curator, Yuri Samodurov, springs from the same soviet dissident movement as Nobel Peace laureate Andrei Sakharov during the 1970-80s, and became one of the founding members of Memorial Human Rights' organization.

However, Samodurov regarded opposition to soviet power not as a political but a cultural act. This, arguably, not only set him apart from the mainstream dissident movement, but also enabled him to remain relevant in Russian debate as society at large increasingly deemed dissidentism obsolete. As director of the Sakharov museum, Samodurov, in February 2006, became an active participant in the debate over the Danish Muhammad cartoons controversy, by heralding a Moscow exhibition of these pictures. So, Samodurov's artistic career has been straddled with the constant cooptation of society as art and art as society. It would thus seem that Samodurov and his actions have become a work of postmodern art personified, in blurring boundaries between art and society.

What are then the effects of the "Forbidden art" case on societal debate? LJ user and poet Vitaly Kaplan, critically, tries to draw the larger picture [RUS] of how art has come to divulge greater tendencies of societal developments in present Russia:

To begin with, there is the "dry residue" that then moistens a multitude of flavours. Thus, the exhibition "Forbidden art - 2006" is really a mockery with the feelings of believers. Does it need society's condemnation? Yes, it does. Was it necessary to go to court? That is where I have my doubts. What do I think about the verdict? I am happy that they did not put Yerofeev and Samodurov in jail. What do I think about the polemics on the Internet? I would say it is a battle of banners with red dogs.

And now for the details. First concerning the mockery with religious sentiments. The problem is that most disputers, regardless of their positions, do not at all understand what it is all about. So, Yerofeev's and Samodurov's defenders indignantly sigh: Oh, these Orthodox people! Everything offends them! If they were to decide -- then every man would be forced to grow a beard, and the women wear scarves, they would raze the "McDonald's" and burn mosques and synagogues alike. Because everything that does not coincide with their Orthodox ideals hurts their delicate religious feelings. And the opponents of Yerofeev and Samodurov shed tears because the pictures of an exhibition offend the Russian people and contradict national traditions, due to their terrible testimony of lost ideals, as such normative decay prevents the revival of Greater Russia...

Consequently, the effect of the "Forbidden art" case is not only pitting perceptions of postmodern and medieval icons against each other, but also serves as a token of differences between imagery and reality of current Russian society. The original grievance of Orthodox believers was -- in religious terms -- that the "Forbidden art" pictures constituted a desecration of icons as carriers of divine messages, in accordance with an Orthodox tradition arguing that the words of God cannot be reduced to text, but must be represented in symbols. What lies at the heart of the matter is then the exhibition's iconization of images portraying a metamorphosis of the divine with the profane. Icons are turned into idolatry of symbols with a mixed message representing the complexities of current society.

What impact has then the conviction of Samodurov and Yerofeev had on perceptions of Russian society, and can it serve as an indicator of where freedom of expression is heading in the country? As much as easy answers would be welcome, reality probably has more in store for the greater picture. Possibly, by seizing the agenda with a question that transcends the borders of art and society, the core of the issue becomes obscured -- whether one of art or freedom of expression, of both or neither. However, society -- in the image of the state -- chooses to take a stand for or against freedom of expression in terms of artforms which purpose may actually be to exploit the interaction such a stand unavoidably involves.

Still, at the end of the day, the question must be raised about the ramifications of that stand for the development of freedom of speech and expression in Russian society. Here, under the headline "Forbidden art gets more expensive," LJ user timur_nechaev77 offers an assessment [RUS]:

The sentence passed against the organizers of the exhibition "Forbidden art - 2006" shows that during the last few years, the price of criticizing the state ideology - Orthodoxy - has risen nearly twice. In 2005, Yuri Samodurov was fined 100 thousand roubles for the exhibition "Beware of religion" which provoked a pogrome from religious extremists of the Russian Orthodox Church. Now they sentenced Samodurov to pay 200 thousand, and Andrei Yerofeev 150 thousand roubles. Of course, the verdict will be appealed as high as Strasbourg and if the European Court will stand on the side of the pogromists and religious fanatics from the Russian Orthodox Church, then of course, Yerofeev and Samodurov will have to pay the fines.

As is often so poorly realized by contemporary society, art may cut to the core problems and developments of our times. The role of an artist increasingly becomes one of pushing the right button to ignite societal debate on issues that may actually be more profound than art itself. Art then merely becomes the symbol of greater tendencies, and thereby recreates itself sui generis by mechanisms greater than the specific work of art and its originator. In the "forbidden art" case, the verdict may serve as a conveyor -- a sign of premonition of either desirable or undesirable developments -- of what is ceasing the normative middle ground in Russian society. Is it right or wrong? Right or wrong is perhaps both not the issue here and still the issue in itself, as everything becomes part of the spectacle, a happening, or the (in)famous fifteen minutes of fame.

As the Romans used to say: “There is no accounting for taste” and art is well beyond the domain of things society may hold people accountable for. That is a matter of taste, and that taste is for each and all to decide on individually — including the right to support or protest against the views and beliefs that agree or conflict with one's own — without state interference. For who is to deem what is degenerate art?